Research Article
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Article title
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Abstract
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Key Words
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Introduction
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Foundations of the kinesiological approach to gesture
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Multimodal situated and embodied “languaging”
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A compositional mode of expression
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Gesture categories
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A synoptic description of the kinesiological approach
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A form-based approach
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The body as structure
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An articulatory frame of reference
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Movement and propagation of movement: importance of the flow
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Methods of analysis
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Results
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Applications
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Presentation gesture / “epistemic negation”
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Perfective/imperfective aspect
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Dominique Boutet as an inspiration for new methods and approaches
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Linguistics and insights from motion capture
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Dominique Boutet’s Reciprocal Relation With the Arts
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Conclusion
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References
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